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Embroidery thread From Wikipedia, the free encyclopedia thanks to them for this information
Threads for hand embroidery include:[1]
Embroidery floss or stranded cotton is a loosely twisted, slightly glossy 6-strand thread, usually of cotton but also manufactured in silk and rayon. Cotton floss is the standard thread for cross-stitch. Extremely shiny rayon floss is characteristic of Brazilian embroidery.
Perle cotton, pearl cotton, or French coton perlé is an S-twisted, 2-ply thread with high sheen, sold in three sizes or weights (No. 3, 5, and 8, with 3 being the heaviest).
Matte embroidery cotton or French coton à broder is a matte-finish (not glossy) twisted 5-ply thread.
Medici or broder medici is a fine, light-weight wool thread formerly manufactured by DMC Group.
Crewel yarn is a fine 2-ply yarn of wool or, less often, a wool-like acrylic.
Persian yarn is a loosely twisted 3-strand yarn of wool or acrylic, often used for needlepoint.
Tapestry yarn or dmc wools is a tightly twisted 4-ply yarn.
Threads for machine embroidery are usually of polyester or rayon (less often cotton or silk).
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cross stitches
Other stitches are also commonly used in cross-stitch, among them ¼, ½, and ¾ stitches and backstitches.
Cross-stitch was often used together with other stitches. It is sometimes used in crewel embroidery, especially in its more modern derivatives. It is also often used in needlepoint.
A specialized historical form of embroidery using cross-stitch is Assisi embroidery.
There are many stitches which are related to cross-stitch and were used in similar ways in earlier times. The best known are Italian cross-stitch, Celtic Cross Stitch, Irish Cross Stitch, long-armed cross-stitch, Ukrainian cross-stitch and Montenegrin stitch. Italian cross-stitch and Montenegrin stitch are reversible, meaning the work looks the same on both sides. These styles have a slightly different look than ordinary cross-stitch. These more difficult stitches are rarely used in mainstream embroidery, but they are still used to recreate historical pieces of embroidery or by the creative and adventurous stitcher.
The double cross-stitch, also known as a Leviathan stitch or Smyrna cross stitch, combines a cross-stitch with an upright cross-stitch.
Berlin wool work and similar petit point stitchery resembles the heavily shaded, opulent styles of cross-stitch, and sometimes also used charted patterns on paper.
Cross-stitch is often combined with other popular forms of embroidery, such as Hardanger embroidery or blackwork embroidery. Cross-stitch may also be combined with other work, such as canvaswork or drawn thread work. Beadwork and other embellishments such as paillettes, charms, small buttons and speciality threads of various kinds may also be used.
Materials
The threads used for stitching may be wool, silk, cotton or combinations, such as wool-silk blend. Variety fibers may also be used, such as metallic cord, metallic braid, ribbon, or raffia. Stitches may be plain, covering just one thread intersection with a single orientation, or fancy, such as in bargello or other counted-thread stitches. Plain stitches, known as tent stitches, may be worked as basketweave, continental or half cross. Basketweave uses the most wool, but does not distort the rectangular mesh and makes for the best-wearing piece.
Several types of embroidery canvas are available: single thread and double thread embroidery canvas are open even-weave meshes, with large spaces or holes to allow heavy threads to pass through without fraying. Canvas is sized by mesh sizes, or thread count per inch. Sizes vary from 5 threads per inch to 24 threads per inch; popular mesh sizes are 10,12,14,18, and 24 (Congress Cloth). The three types of needlepoint canvas marketed are mono, penelope, and interlock.
- Mono canvas comes in the widest variety of colors (especially on 18 mesh) and is plain woven, with one weft thread going over and under one warp thread. This canvas has the most possibilities for manipulation and open canvas. It is generally used for hand-painted canvases.
- Penelope canvas has two threads closely grouped together in both warp and weft. Because these threads can be split apart, penelope sizes are often expressed with two numbers, such as 10/20.
- Interlock canvas has single threads but stable mesh intersections. This occur because the weft threads, split at the intersections and wrap around the warp threads. Interlock canvas is generally used for printed canvases. Silk gauze is a form of interlock canvas, which is sold in small frames for petit-point work. Silk gauze most often comes in 32, 40 or 48 count, although some 18 count is available and 64, 128 and other counts are used for miniature work.
[edit] Frames and hoops
Needlepoint canvas is stretched on a scroll frame to keep the work taut during stitching. Petit point is sometimes worked in a small embroidery hoop rather than a scroll frame.
[edit] Patterns
Commercial designs for needlepoint may be found in different ways: Hand-Painted Canvas, Printed Canvas, Charted Canvas, and Free-form.
In Hand-Painted Canvas, the design is painted on the canvas by the designer, or painted to their specifications by an employee or contractor. Canvases may be stitch-painted, meaning each thread intersection is painstakingly painted so that the stitcher has no doubts about what color is meant to be used at that intersection. Alternately, they may be hand-painted, meaning that the canvas is painted by hand but the stitcher will have to use their judgment about what colors to use if a thread intersection is not clearly painted. Hand-painted canvases allow the stitcher to give free range to their creativity with threads and unique stitches by not having to pay attention to a separate chart. In North America this is the most popular form of needlepoint canvas.
Printed Canvas is when the design is printed by silk screening or computer onto the needlepoint canvas. Printing the canvas in this means allows for faster creation of the canvas and thus has a lower price than Hand-Painted Canvas. However, care must be taken that the canvas is straight before being printed to ensure that the edges of the design are straight. Designs are typically less involved due to the limited color palette of this printing method. The results (and the price) of printed canvas vary extensively. Often printed canvases come as part of kits, which also dramatically vary in quality, based on the printing process and the materials used. This form of canvas is widely available outside North America.
Charted Canvas designs are available in book or leaflet form. They are available at book stores and independent needlework stores. Charted Canvas designs are typically printed in two ways: either in grid form with each thread intersection being represented with a symbol that shows what color is meant to be stitched on that intersection, or as a line drawing where the stitcher is to trace the design onto his canvas and then fill in those areas with the colors listed. Books typically include a grouping of designs from a single designer such as Kaffe Fassett or Candace Bahouth, or may be centered around a theme such as Christmas or Victorian Needlepoint. Leaflets usually include one to two designs and are usually printed by the individual designer.
Free-Form Needlepoint designs are created by the stitcher. They may be based around a favorite photograph, stitch, thread color, etc. The stitcher just starts stitching! Many interesting pieces are created this way. It allows for the addition of found objects, appliqué, computer-printed photographs, goldwork, or specialty stitches.
While traditionally needlepoint has been done to create a solid fabric, more modern needlepoint incorporates open canvas, techniques which allow some of the unstitched, or lightly stitched canvas to show through. Some of these techniques include "shadow" or "lite" stitching, blackwork on canvas, and pattern darning.
Needlepoint continues to evolve as stitchers use new techniques and threads, and add appliqué or found materials. The line between needlepoint and other forms of counted-thread embroidery is becoming blurred as new stitchers adapt techniques and materials from other forms of embroidery to needlepoint
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